I Took Over 1,000 Photos With the Xiaomi 15 Ultra. Check Out My Favorites

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By Karla T Vasquez

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A Black Xiaomi Smart Phone is a figure

1 of 24Andrew Lanceson/CNET

Xiaomi 15 Ultra offers lots of its flag status and high prices to be justified. It is great to use it from its powerful processor to its vibrant display, but it is the camera setup that is the main reason to consider this phone on competitors offers.

I have been experimenting 15 Ultra since I got it in the end of January and I took more than 1000 photos with it. From my home city Edinburgh to Barcelona and Himsetle, Wantry Sweden, I used different conditions and I really understand the camera.

Here I selected one of my favorite images I have taken with Shaomi 15 Ultra.

We certainly start with a picture of my beautiful orange cat toolouse. I love this shot so much as moody, deep shadow and a highlight that perfectly emphasizes his face.

I think the camera has done great work here. I often see that the phone cameras remove any kind of drama in the scene and tries and enlighten the shadowy regions in an unreal quantity. But here, the strong contrast remains and the picture is better for it.

Taken with the auto mode of the original camera, this shot is packed with bright, vivid and detailed.

The exposure also has a spot here, the sunlight captures the filtering through the flowers and holds a beautiful soft blue tune in the sky.

There are different filters you can choose but my favorite is Black and white in the opposite. It gives a ditch look that is suitable for photography of this national street.

I have used it the original camera and I like this moment that I have been able to capture. It can be amazing to use a phone for street photography because it lets you basically remain unseen.

Ultra-Wide Camera also works well in this context. Here, I was able to capture the street performer more away when I used a nearby crowd like a frame.

Again, the black and white tune in the high contrast works really well.

4.5x Optical Zoom Lenses It looks great when using the lens.

This shot also works in the right color and I really like how I am able to hold the hands of strangers who are able to hold hands as part of the performance.

Taken with the telephoto lens, I like the natural depth of the field around these visitors.

Large image sensors and spacious F/1.6 aperture phones allow the phone to take a great look when the light begins to light.

The bright sun and the shadow nozzle make it a very difficult image for the capture of any camera, but I like the balance that the Ultra has hit here. The sky is fully exposed and there is sufficient details to see what is going on in the shade, which does not look unnatural.

I took this shot using a telephoto camera in pro mode to keep manual control of white balance. By default, the camera makes mistakes on the cooling side, which I don’t like often and I don’t really like shooting this national lively sun.

By manually warming the white balance, I was able to capture the image of better face with beautiful orange tune in the sky.

Warm tunes look great.

On top of the article, I especially like the camera in the sky how this ray nacrius or “parloe mother” is captured in the cloud.

Again, I used the manual White Balance for the scene of this night so to get the tones right.

Ultra-Wide Lens did a great job by capturing the scene this evening in Stockholm.

I see that the black and white mode works well at night too. This person’s moody shot was caught here to break with their phone before flamenco dance at the restaurant where I am eating.

I shot it using Ultra-Wide Lens in DNG raw so that I can apply more cinematic appearance on the Adobe Lightroom. I think the toolus looks great and the image has been packed in detail.

CNET’s Abra Al-Hitti looks great with a beautiful-focus background for spot-on exposure and phone effective portrait mode.

More black and white street photography. 15 Ultra is great for it.

A moody is black and white selfie, because I’m right.

I wanted a alcohol for this shot of Old Land Rovers, so I took the picture in the raw and then edited it in the lighroom.

Using the telephoto zoom lens here, I was able to get closer to these engineers who seem to be looking for something in the water. Did they drop something? Did they see an OTar? Who knows!

I underestimated this figure when I took it to control the bright sky. However, I shot it raw and so I was able to recover a lot of shades in the lighterroom, as well as some other colors and exposure adjustment.

The result is a well -balanced view with the tunes of the beautiful sunset. 15 I am really impressed with how much I have the opportunity to work with the Raw files from Ultra.



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